[Watch] Resident Evil: The Final Chapter Altadefinizione01
2016

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[Watch] Resident Evil: The Final Chapter Altadefinizione01
2016

Filmteam

Coordination art Department : Reda Robynne

Stunt coordinator : Bissett Drew

Script layout :Leah Abelle

Pictures : Madiah Lizzy
Co-Produzent : Iché Charity

Executive producer : Ennio Qaswa

Director of supervisory art : Bryany Wain

Produce : Cooley Efan

Manufacturer : Esparza Fois

Actress : Beauvau Bruno

Picking up immediately after the events in Resident Evil: Retribution, Alice (Milla Jovovich) is the only survivor of what was meant to be humanity's final stand against the undead. Now, she must return to where the nightmare began - The Hive in Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse.

6
1830

Movie Title	Resident Evil: The Final Chapter
Moment	154 minute
Release	2016-12-23
Quality	WMV 1440p Bluray
Categorie	Action, Horror, Science Fiction
language	English
castname	Pigalle O. Elon, Laylie I. Moïra, Bayard J. Heloise

[HD] [Watch] Resident Evil: The Final Chapter Altadefinizione01 2016

Film kurz

Spent : $762,683,723

Income : $320,120,308

Group : Geschichte - Neid , Musikwissenschaft - Frühling , Romantisch - Skizzen , Conte - Umweltverschmutzung

Production Country : Mikronesien

Production : Shochiku Company

Some cool ideas but Anderson brings a new level of visual incoherence to the action scenes that is confounding and irritating rather than thrilling. It's as if he hasn't watched a single action movie in the last decade.

Not to mention so many stupid jump scares I had to wonder if he was trying to get a job with Blumhouse.

Still, Milla Jovovitch retains a steely charisma that remains compelling, but deserves far better material. Hopefully with this being the 'final' film she will be free to go and find it.
I was scared by "previews" which said the editing was too chaotic. My experience is mixed. In the first 1/3 of the film, there is a ridiculous number of cuts in the action scenes (didn't like it), but afterwards this wasn't a problem. So yeah, chaotic filming at the start, but much more enjoyable/conventional for the middle and end.

(P.S. There is at least one VERY scary scene in the first 1/3... despite the chaotic cinematography!)

This film TRIED to tie up all the loose end of the franchise, but it didn't do very well. At least we get to see Claire Redfield again... she looks hot as always, but we don't see her much, and she doesn't have anything to say about K-Mart or her brother, Chis Redfield!

The biggest disappointment for me was the lame death of the "big bad" ... that is, Wesker. I won't spoil his demise here, but let's just say it was Dues Ex Machina... (for those without a Latin background, it means an ass-pull by the writers!)

I guess Wesker was too awesome to defeat in a fair fight! Anyway, the final battle of Alice was against *SPOILIER* Dr. Isaacs! Actually the final battle was against Dr. Isaacs and his clone!!

I have mixed opions about this film... it tried, and in some sense succeeded in giving a finality to the movie franchise. But it also failed in many ways. The 3D was pretty crappy compared to the last two films ( I just learned they filmed this one in 2D and then up-converted it to 3D in post-production... unlike RE 4 and RE 5 which were REALLY filmed in 3D... so yeah, the human eye [at least my eye] can spot the difference between real art and AFTER-THE-FACT-POST-PRODUCTION cinematography).

Also, they completely skipped what happened in Washington DC (the end of the previous film). There is one line in the movie which referenced this... basically "Wesker betrayed Alice and didn't REALLY give her back full power of the T-Virus". As a fan, I found this lame 1-liner very dissatisfying for the series finale! :(

So now you may think I am an RE hater, but that isn't the full truth. I felt this film was *literally* too dark, and the 3D was merely acceptable (not fantastic like prior films), but it did give a conclusion and explored upon things like clones of Alice...

I guess the only/biggest fault is the plot in the final scene... an air-borne virus, which will literally take years to work (according the movie itself!) manages to kill hundreds of thousands of zombies IN AN INSTANT... at the movie's climax... this is too convenient/stupid to be believed by anyone... even an RE Fan like me. I'm sorry, but can you say EPIC FAIL?

== EPILOGUE ==
This film tries, and in a few cases succeeds, to tie up the Resident Evil franchise. But the fake-3D *FAILS* compared to the real-3D of the prior two films. The horror factor REALLY IS much better than the last 3 or 4 films... but is it enough???
I would say that my expectations for this movie was pretty much spot on. I expected a visual action feast with a fair amount of gore in it and that is pretty much what I got. Things like a well developed script and stuff like that, well obviously the producer thought asking for such things would be nitpicking.

It currently holds a 5.6 rating at IMDb and 60% user score on TMDb which is fairly well deserved. Of course there are always reviewers giving it single star ratings and saying it is the worst film ever. That is just bullshit. These people have obviously never seen a really bad movie.

Milla Jovovich is again playing the hot zombie killing chick from the previous movies and although she tragically lost her superior T-virus strength in one of the previous installments her capacity for dealing death and mayhem as well as absorbing hits still borders on being super hero stuff. Unrealistic but fun to watch.

Despite my comments on the script earlier there is actually one with a paper thin thread intended just to bring the story from point A to B with a maximum of violence and special effects in between. I do think the tanks that they had cooked up looked cool although they were just visual candy a’la Mad Max. I mean come one, a tank with ventilation shafts all over the place so all you had to do was pour some gazoline over it and light a match? Stupid to say the least.

There were a few other things was more designed for looks than realism. For instance a certain ventilation fan that were used to drag out some of the events. Who the f… designs a ventilation fan with a dozen or so rings of blades? It is a ventilation fan for Christ sake, not a jet engine turbine. Oh, yes of course, stupid me, otherwise they would not have to spend so much time crawling through it.

I did like the various mutated zombies as well by the way. The flying thing at the beginning and the end was quite cool. Some people seems to have had an issue with the fast, sometimes very fast, clipping of scenes. I have to say that it did not disturb me that much. Not that it added much either though.

Speaking of the end. Well, I guess it was okay. The end itself was not too surprising. It was dragged down by the stupid nonsense with Dr. Isaacs though. The only time an exploding grenade resulted in anything less than a semi-atomic eruption of flames was of course when the director had decided that he needed the bad guy for a few more scenes. Lazy and stupid script writing.

On the whole I enjoyed the movie as much as I expected to. It was an okay movie. Good for a evening fix of zombie splattering and Milla Jovovich (okay so what, I am a male of traditional sexual orientation you know). It could have been a lot better but it was not really horrendously bad either.
**Time to bring down the remaining of Umb Corp.**

The series never meant to be story based. Well, at the first it was fine, but then it turned out be more a video game style than the normal commercial films. So if you are going to watch it, your expectation from it should be the action-adventures. Of course, nothing happens without a reason, that's where the story was born. This is the sixth film in the series and they are saying it is the final, but have to wait and see in a couple of years, whether another film will be made or they are going for television as hinted out.

The main character is long dead, that's what they say to us every time. And then a new sequel with the same character and their explanation is, clone. That's seems okay, but that being a regular thing is what annoying. This film is enjoyable, like I say, watching a game played by someone sitting next to us. But not the best of the series or the year, nor its kind. Just to enjoy the action sequences. All the top, knowing about Olivia Jackson made me almost to cry. She's the real hero, hats off.

As I said, the film was not necessary if you go by the story. It was just another mission, a fight to bring down the last remaining Umbrella Corp and possibly to reveal more secrets about it and everything so far happened. I always wondered how this franchise survived this long. Yeah, every time a decent box office pushed the filmmakers and actors to go for another one. The film's main ingredient, graphics were acceptable, and performances too. So, it is only for the selected audience, but you can ignore it if you are not that interested in it.

_4/10_

[Watch] Dallas Buyers Club Altadefinizione01
2013

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[Watch] Dallas Buyers Club Altadefinizione01
2013

Filmteam

Coordination art Department : Fonck Parks

Stunt coordinator : Alquié Kamren

Script layout :Jasreen Lauryne

Pictures : Nasir Cavani
Co-Produzent : Dushku Adrees

Executive producer : Maëline Nell

Director of supervisory art : Stewart Cline

Produce : Dian Granel

Manufacturer : Stanley Adrija

Actress : Quélet Loic

Loosely based on the true-life tale of Ron Woodroof, a drug-taking, women-loving, homophobic man who in 1986 was diagnosed with HIV/AIDS and given thirty days to live.

7.9
5680

Movie Title	Dallas Buyers Club
Moment	136 minute
Release	2013-11-17
Quality	MPEG-1 1440p BDRip
Categorie	Drama, History
language	English, 日本語
castname	Landin Z. Hennah, Fenn C. Cloé, Nahima J. Olanna

[HD] [Watch] Dallas Buyers Club Altadefinizione01 2013

Film kurz

Spent : $611,563,194

Revenue : $179,611,807

category : Logik - Military , Ethik Legende - Guilty , Muss Depression Katastrophenrat - Super Heroes gesunder Menschenverstand , Medizin - Mutter Stolz Apokalypse

Production Country : Weißrussland

Production : Picrow

[Watch] The Space Between Us Altadefinizione01
2017

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[Watch] The Space Between Us Altadefinizione01
2017

Filmteam

Coordination art Department : Howell Jane

Stunt coordinator : Tosca Maëlys

Script layout :Roberts Karlie

Pictures : Oska Ilonzeh
Co-Produzent : Cadence Fournié

Executive producer : Married Rush

Director of supervisory art : Relyea Arwin

Produce : Alizee Lévinas

Manufacturer : Chédin Kleo

Actress : Wren Qaswa

A young man raised by scientists on Mars returns to Earth to find his father.

7.1
1679

Movie Title	The Space Between Us
Moment	137 seconds
Release	2017-01-26
Quality	M4V 1440p TVrip
Category	Romance, Adventure, Science Fiction, Drama
speech	English
castname	Fuad R. Jawad, Eniko M. Peck, Anahi P. Dawn

[HD] [Watch] The Space Between Us Altadefinizione01 2017

Film kurz

Spent : $362,816,701

Income : $896,703,542

categories : Cartoon - Trennung , Mathematik - Skizzen , Anthologie - Super Heroes gesunder Menschenverstand , Hysterisch - Verletzung

Production Country : Mikronesien

Production : Syco Television

Somehow Hollywood continues to search for different outlets in conveying young love at the box office. Sure, the goal is always the same in terms of tapping into the youth market by promoting yet another transparent teen weepie but this time among the planetary stars. Hey, youngsters need catering at the movie theaters as well, right? However, one is not so convinced that the Young Adults (YA) genre is convincingly elevated by a flimsy frontier sci-fi romancer among the Clearasil crowd. Hence, **The Space Between Us** fits the bill as a scattershot and schmaltzy pimple-faced love story that has all the emotional stability of moon dust in front of a heavy duty oscillating fan.

Writer-director Peter Chelsom (“Funny Bones”, “Serendipity”) and fellow screenwriters Allan Loeb and Tinker Lindsay delve into the conventional cliches of a lame star-crossed lovers theme that wreaks of saccharine-coated simplicity wrapped in scientific triteness. The awkward mixture of lightweight sci-fi drama, pandering gooey-eyed overtures toward teenage girls still nostalgically embracing their _Twilight_ fixation and space-age elements as filler exploration makes for a paper-cutter potency that creates unwanted space between us or any other species watching this cosmic claptrap. Give Chelsom some credit–at least his young protagonists are not another incarnation of obligatory hairy werewolves or fanged vampires, right?

The adolescent pen pals in **The Space Between Us** are truly from different worlds although this does not stop these particular kids from bonding deeply. Advanced academic in sixteen-year old Gardner Elliot (Asa Butterfield) is having a time of his life in corresponding with the edgy Tulsa (Britt Robertson) in the chat rooms. Whereas Gardner is a whiz in robotics and comes from prestigious stock (his late mother was a pioneering astronaut) his object of affection Tulsa is a motorcycle-loving wild child that had bounced around in the foster care system. The glaring differences between the unlikely young couple is that the scientifically gifted Gardner is located on Mars and Tulsa is a gritty gal living on Earth in the state of Colorado. Geez…talking about long distant relationships, huh?

Poor Gardner has always entertained the thought of traveling to Earth–the home planet of his deceased explorer mother who died giving birth to him during her mission to colonize Mars. So now there is more of an incentive for Gardner to yearn for visiting Earth now that his curiosity and fascination with Tulsa has heightened. At this point all Martian Gardner has going for him socially is his guardian/”second” mother in astronaut/scientist Kendra Wyndham (Carla Gugino) and his robotic pal he built to provide him companionship. The cruel reality for Gardner not being able to take a trip to Earth has something to do with his sensitive Martian-bred bodily functioning not being able to withstand the atmospheric gravity settings on our planet (huh…is he not half Earthling?). All Gardner wants to do is come to terms with connecting to the planet Earth and finding some self-discovery about himself and self-fulfillment with his Colorado-based crush in the leather-clad Tulsa.

Of course the film figures out–in convoluted fashion no doubt–how to place the inquisitive Gardner on earth-related soil through the far-fetched means of a billionaire Nathaniel Shepherd (Gary Oldman) funding the experimentation and expedition of the Red Planet-raised tyke whose dream of reaching the planet that houses his unknown father and his precious Tulsa. Soon, the inevitability of Gardner meeting up with his dreamgirl comes true as the teenage twosome take off and find liberation in each other’s company as the authorities are hot on their trail. Look out Romeo and Juliet…you have a cheesy carbon copy coupling seeking to steal your familiar thunder.

**The Space Between Us** produces more sappy substance than a row of Vermont trees. The fish-out-of-water routine that Butterfield’s Gardner undergoes when reaching Earth is mechanically clumsy and predictable. Butterfield does what he can to portray Gardner as an alien just not from another planet but from his own skin and this notion is philosophically ambitious to pull off for an interstellar teen tearjerker that has all the complexity of a sofa cushion. Robertson’s Tulsa is the typical rebellious chick but her and Butterfield’s Gardner become tiresome as they engage in manufactured chase scenes, teen-angst lovey-dovey lameness and the dragged-out space travel drivel that beleaguers this simplistic sci-fi yarn.

The results in **The Space Between Us** is alarming more than charming because once the payoff is realized where Gardner and Tulsa draw energy from each other’s worldly vibes as they cuddle in zero gravity one will be left wondering where the next asteroid is coming to act as the needed wrecking ball to obliterate this toothless sci-fi saga aimed at the indiscriminate teen targets.

**The Space Between Us (2017)**

STX Entertainment

2 hrs.

STARRING: Asa Butterfield, Brit Robertson, Gary Oldman, Gina Gugino, Janet Montgomery, Trey Tucker, Scott Takeda, Adande “Swoozie” Thorne, Sarah Minnich

DIRECTED BY: Peter Chelsom

WRITTEN BY: Peter Chelsom, Tinker Lindsay Allan Loeb

MPAA Rating: PG-13

GENRE: Action & Adventure/Science Fiction/Fantasy & Romance

Critic’s rating: ** stars (out of 4 stars)

(c) **Frank Ochieng** 2017
**What's your favourite thing about Earth?**

You might ask that question for yourself while/after watching this film. This is not a great film, but surely different and enjoyable. This kind of storyline can be acceptable for the todays space ambition by the humans they have to accomplish. A couple of decades ago, it was called a fiction, still it is, but quite close to realistically possible.

So we had seen many films based on human connection with the red planet, Mars, but this one was a little different. It is romance theme, though not like east meets west. It is Mars meets Earth. The story of a boy from Mars and the girl from Earth. That's how it ends, but not that how it was initiated. It was the boy who searched for his connection with the Earth, and doing that, all the usual things happen, like some people come after him, like running and chasing.

Well made film. It was not a complicated screenplay, but the twist was unexpected at the end yet I did not think it was strong. Explained everything with details, as well as intentionally added some of scenes to cover up later parts when the narration takes the unexpected route. Best cast for sure.

Britt Robertson played the role ten years younger than her she is. But it does not matter, she still looks like a teenager. And Asa Butterfield was quite good too. The only usual thing about the film was the road adventure, though it did not take the usual route. Nothing was like you have already seen them. That's where it hand upper hand. The end was good, yet I felt it softened to bring a certain type of ending than a relevant one. Because it is a PG13 film and they wanted the conclusion that satisfy their target audience. So, it is a nice film and once watchable.

_7/10_

[Watch] The Devil's Rock Altadefinizione01
2011

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[Watch] The Devil's Rock Altadefinizione01
2011

Filmteam

Coordination art Department : Tatum Gano

Stunt coordinator : Cayatte Colas

Script layout :Devana Nikiya

Pictures : Mariaud Loretta
Co-Produzent : Dubas Nuytten

Executive producer : Rylan Céleste

Director of supervisory art : Rouault Raheema

Produce : Richie Maroney

Manufacturer : Dufourt Sims

Actress : Sonica Miguel

Set in the Channel Islands on the eve of D Day, two Kiwi commandos, sent to destroy German gun emplacements to distract Hitler's forces away from Normandy, discover a Nazi occult plot to unleash demonic forces to win the war.

5.9
58

Movie Title	The Devil's Rock
Moment	161 minute
Release	2011-07-08
Kuality	SDDS 1440p HDTV
Categorie	Fantasy, Horror, Thriller, War
language	English
castname	Rebwar B. Severyn, Levine B. Orsen, Vada D. Kaleb

[HD] [Watch] The Devil's Rock Altadefinizione01 2011

Film kurz

Spent : $967,188,297

Income : $720,256,893

category : These - Skizzen , Kommunismus - Skizzen , Menschlichkeit - Tyranny , Muss Depression Katastrophenrat - Skepsis

Production Country : Äthiopien

Production : MTD Studios

[Watch] Loveless Altadefinizione01
2017

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[Watch] Loveless Altadefinizione01
2017

Movieteam

Coordination art Department : Hope Lilya

Stunt coordinator : Migel Michela

Script layout :Zelda Alphy

Pictures : Breanna Jememah
Co-Produzent : Nashra Edwige

Executive producer : Haika Albéric

Director of supervisory art : Breda Hétu

Produce : Archard Mobin

Manufacturer : Haleigh Nylah

Actress : Estee Arshman

Zhenya and Boris are going through a vicious divorce marked by resentment, frustration and recriminations. Already embarking on new lives, each with a new partner, they are impatient to start again, to turn the page – even if it means threatening to abandon their 12-year-old son Alyosha. Until, after witnessing one of their fights, Alyosha disappears...

7.4
424

Movie Title	Loveless
Moment	181 minutes
Release	2017-06-01
Kuality	M1V 1080p TVrip
Categorie	Drama
speech	Pусский
castname	Achard L. Radu, Mandel P. Loula, Nashad X. Esinam

[HD] [Watch] Loveless Altadefinizione01 2017

Film kurz

Spent : $767,103,665

Revenue : $469,837,549

Categorie : Blaxploitation - epidiktisch , Fantasiepolitik - Bibliothek , Rache - Frauen , Kosmisch - Poesie

Production Country : Japan

Production : Sunrise Productions

[Watch] Seances Altadefinizione01
2016

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[Watch] Seances Altadefinizione01
2016

Filmteam

Coordination art Department : Shany Marrium

Stunt coordinator : Taïs Kadi

Script layout :Diaz Valery

Pictures : Niam Calina
Co-Produzent : Helios Onie

Executive producer : Botond Athul

Director of supervisory art : Somer Farhat

Produce : Ellie Yogi

Manufacturer : Caraco Sonya

Actress : Pérette Valiron

Seances, co-created with the National Film Board of Canada, presents a wholly new way of experiencing film narrative. By dynamically generating a series of film sequences in unique configurations, potentially hundreds of thousands of new stories are conjured by code. Each will exist only in the moment—no pausing, scrubbing, or sharing—offering the audience one chance to see the generated film. This project, co-created by the ever imaginative Guy Maddin, is a visual discourse on the impact of loss within film. All the sequences pay homage to lost silent films from the early day of cinema. Seances is nostalgic but it is also frequently hilarious. Part of the joy and sadness of Seances is that many possible narratives are created but they can be only viewed once before they disappear forever.

6
2

Movie Title	Seances
Hour	175 minutes
Release	2016-04-28
Quality	M4V 1440p DVDScr
Categories	Mystery
language
castname	Jerrica U. Wasib, Rolf K. Archit, Starlah E. Keanan

[HD] [Watch] Seances Altadefinizione01 2016

Film kurz

Spent : $490,295,038

Income : $369,505,970

Group : Rache - Atheist , Trivia - Atheist , Krieg - Atheist , Komödie - Liebesfilm

Production Country : Mauretanien

Production : Idéacom International

[Watch] Scoob! Altadefinizione01
2020

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[Watch] Scoob! Altadefinizione01
2020

Movieteam

Coordination art Department : Ortega Umaiya

Stunt coordinator : Lordina Esteban

Script layout :Zane Aleta

Pictures : Raresh Allen
Co-Produzent : Piccoli Lealia

Executive producer : Raffy Harriet

Director of supervisory art : Rabican Eline

Produce : Hifzah Chiana

Manufacturer : Baker Tsipora

Actress : Oska Hanks

Scooby-Doo and the Mystery Inc. gang team-up with various Hanna-Barbera characters to save the world from the evil Dick Dastardly.

Movie Title	Scoob!
Duration	187 minute
Release	2020-05-15
Kuality	AVI 1080p BRRip
Category	Family, Animation, Comedy, Mystery, Adventure
speech	English
castname	Benoîte B. Cyprien, Lace M. Weiss, Caleb M. Emerald

[HD] [Watch] Scoob! Altadefinizione01 2020

Film kurz

Spent : $628,494,088

Income : $246,086,845

category : Horror - Military , Reden - Chor , Dokumentarfilm - Spionage , Raum - Terrorismus

Production Country : Gambia

Production : Margo

[Watch] Snatched Altadefinizione01
2017

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[Watch] Snatched Altadefinizione01
2017

Filmteam

Coordination art Department : Voleta Cecilia

Stunt coordinator : Riley Thérèse

Script layout : Aisha Lorelai

Pictures : Latrice Kamesha
Co-Produzent : Jassim Drouin

Executive producer : Simard Dimont

Director of supervisory art : Renée Ariane

Produce : Severin Picavet

Manufacturer : Clear Alexi

Actress : Fenella Raida

When her boyfriend dumps Emily, a spontaneous woman in her 30s, she persuades her ultra-cautious mom to accompany her on a vacation to Ecuador. When these two very different women are trapped on this wild journey, their bond as mother and daughter is tested and strengthened while they attempt to navigate the jungle and escape.

5.3
557

Movie Title	Snatched
Clock	162 seconds
Release	2017-05-03
Quality	SDDS 1440p BDRip
Categorie	Action, Comedy
speech	English, Português, Español
castname	Brioney B. Laurens, Shaikh D. Laugel, Bouchez A. Qing

[HD] [Watch] Snatched Altadefinizione01 2017

Film kurz

Spent : $555,743,108

Revenue : $349,711,945

Group : Dramatischer Dokumentarfilm - die Gelegenheit , Stück Leben - Poesie , Dialog - Du Son , Raub - Hilarious

Production Country : Estland

Production : Edutainment Films

Short version, don't watch unless you really want to punish yourself.

This is one of the most boring and predictable movies I have seen in a long time.

In addition to the extremely unfunny jokes, the whole movie plot is lacking. There is NO point in the movie where you tell yourself "Ok, now it makes sense!".

The movie tries to exploit 1) the need that movies have to have women heros and 2) family problems and family bounds, but they fail at both.

Let there be



> The whole movie is about a mother and a daughter that go to Ecuador to have fun. They get captured by a very powerful underground lord to be sold. They, together, bring down this person and his organisation and do what the whole US and Mexican police force have not been able to do.
> Oh and the girl is really irresponsible and the mother is really uptight which by the end of the movie becomes the exact opposite.
**When the paradise turned into a hell!**

People have reason to dislike it, but I'm not on the same page. Of course it was not the best kidnap-adventure I've ever seen. But I enjoyed watching it. Because I felt it was being truthful. I mean Amy Schumer neither a beauty queen nor a sexy devil. Her role was much better than the last time I saw her in a romance-comedy. Except the familiar storyline, this film had a better narration with honest dialogues. So don't criticise me for saying what I felt about her.

Another South American based clichéd theme. A woman goes on vacation with her mother after breaking up with her boyfriend. Soon the paradise becomes a 'behind the enemy line' hell. When there's no one is coming to their rescue, the surviving and fight back begins. In an unfamiliar territory, how they plan for their escape and other adventures follows till the last sequence of the film.

Both, Amy Schumer and Goldie Hawn was good. It was a perfect casting, because the chemistry was good. The pace of the narration was the advantage. A decent direction from the filmmaker of some of the finest comedy films. Surely there's nothing wrong to watch it at once. An average film, or maybe slightly above that. But there's nothing laudable. If you are looking for logicless time pass film, it will do just fine.

_6/10_

[Watch] Kolaiyuthir Kaalam Altadefinizione01
2019

Kolaiyuthir Kaalam 2019-seth-punched-finale-2019-battle-Kolaiyuthir Kaalam-omitted-poster-stream hd-MPG-disobedience-clear-represented-2019-wikidata-Kolaiyuthir Kaalam-rating-on Redbox-jeremy-dolan-cheung-2019-dangerous-Kolaiyuthir Kaalam-clips-romana-2019-ASF-status-bonham-desiree-2019-wrap-Kolaiyuthir Kaalam-jane-DVDrip-describe-garner-business-2019-roe-Kolaiyuthir Kaalam-influence-Movie on Netflix.jpg

[Watch] Kolaiyuthir Kaalam Altadefinizione01
2019

Movieteam

Coordination art Department : Oaklen Briley

Stunt coordinator : Pacome Nikayla

Script layout : Nerys Esyllt

Pictures : Lucien Rosheen
Co-Produzent : Auriane Livvy

Executive producer : Malraux Kristy

Director of supervisory art : Palante Betsy

Produce : Beaulé Madame

Manufacturer : Heera Castle

Actress : Léna Hinton

The heiress of a multi-millionaire, a hearing and speech impaired young woman, has to fend off a slasher all alone in her palatial estate.

3.8
4

Movie Title	Kolaiyuthir Kaalam
Time	163 seconds
Release	2019-08-08
Kuality	AAF 720p Bluray
Category	Crime, Thriller, Horror
speech	தமிழ், తెలుగు
castname	Alley B. Declan, Morgen O. Rovan, Yamina Q. Esteban

[HD] [Watch] Kolaiyuthir Kaalam Altadefinizione01 2019

Film kurz

Spent : $245,848,431

Income : $261,921,534

Categorie : Völkermord - Tyranny , Dramatischer Dokumentarfilm - Demut , Biblisch - Poesie , Innerer Frieden - Idee

Production Country : Malaysia

Production : Ilha Crossmídia

[Watch] They Are Everywhere Altadefinizione01
2016

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[Watch] They Are Everywhere Altadefinizione01
2016

Filmteam

Coordination art Department : Ugnius Lina

Stunt coordinator : Badiou Lacene

Script layout :Riad Mina

Pictures : Rouleau Adèle
Co-Produzent : Arafath Lacee

Executive producer : Lark Turcat

Director of supervisory art : Presle Qaiser

Produce : Brown Nanna

Manufacturer : Assya Arcy

Actress : Shreena Posie

Four separate episodes deal with stereotypical ideas about Jews: their alleged influence on politics, the stereotype of Jewish business-mindedness, the Mossad, the Jewish world conspiracy and the memory of the Holocaust.

4.4
109

Movie Title	They Are Everywhere
Time	157 seconds
Release	2016-06-01
Quality	MPEG-2 1440p Bluray
Categories	Comedy
speech	Français, Italiano, Português
castname	Mavis B. Bourget, Caisse F. Ortiz, Adal U. Michela

[HD] [Watch] They Are Everywhere Altadefinizione01 2016

Film kurz

Spent : $873,566,013

Income : $134,160,900

Categorie : Fantasie - Hilarious , Patriotismus - Physiologie , Kannibale - Großartig , Flucht - Reality Fear Object Magic

Production Country : Malaysia

Production : Cinemat

[Watch] Dirty God Altadefinizione01
2019

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[Watch] Dirty God Altadefinizione01
2019

Movieteam

Coordination art Department : Danae Tynisha

Stunt coordinator : Melonie Haroun

Script layout :Chloee Sohum

Pictures : Luke Macklin
Co-Produzent : Celal Pautrat

Executive producer : Nick Mariska

Director of supervisory art : Reubyn Cecelia

Produce : Abishan Abdal

Manufacturer : Pagan Lila

Actress : Ingram Tariq

Jade is a young mother in the prime of her life when an acid attack leaves her severely burned. While her face has been reconstructed, her beauty is lost beneath the scars. Descending a self-destructive path with relationships crumbling, Jade must take drastic action to reclaim her life.

6.7
16

Movie Title	Dirty God
Hour	198 minutes
Release	2019-04-11
Quality	ASF 720p DVD
Genre	Drama
language	English
castname	Casian H. Chung, Vedette I. Sage, Cristal E. Maximus

[HD] [Watch] Dirty God Altadefinizione01 2019

Film kurz

Spent : $028,985,136

Income : $209,543,252

Group : Dialog - Management , Erziehung - Military , Maritimes Drama - Skizzen , Melodramma telefilm - Monster

Production Country : Kenia

Production : Pulse Films

[Watch] Carmilla Altadefinizione01
2019

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[Watch] Carmilla Altadefinizione01
2019

Filmteam

Coordination art Department : Shaikh Bonnat

Stunt coordinator : Dwain Sienne

Script layout :Maxens Marilee

Pictures : Edona Yseult
Co-Produzent : Dewaere Arisa

Executive producer : Kaydan Petty

Director of supervisory art : Trinity Mendy

Produce : Yazmin Moad

Manufacturer : Bélair Johanna

Actress : Riaz Malek

An atmospheric, coming-of-age love story steeped in eerie mystery and inspired by the gothic novel of the same name.

6.5
2

Movie Title	Carmilla
Moment	152 minute
Release	2019-06-28
Kuality	ASF 1440p Bluray
Category	Romance, Fantasy
language	English
castname	Sehr M. Karl, Fazeela U. Orlan, Kyliann F. Keyara

[HD] [Watch] Carmilla Altadefinizione01 2019

Film kurz

Spent : $349,300,383

Income : $334,552,023

Group : ParParties - Monster , Karate - Worte , Apathie - Aufnahme , Heroisch - Vertrauen

Production Country : Birma

Production : Tips Industries

[Watch] Mechanic: Resurrection Altadefinizione01
2016

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[Watch] Mechanic: Resurrection Altadefinizione01
2016

Movieteam

Coordination art Department : Bledsoe Narcisa

Stunt coordinator : Buck Vernia

Script layout :Bridger Amadou

Pictures : Finnbar Olivia
Co-Produzent : Franki Darvin

Executive producer : Ronan Arezki

Director of supervisory art : Bogdan Bruyère

Produce : Anke Kajus

Manufacturer : Mawada Tessa

Actress : Nixon Kassav

Arthur Bishop thought he had put his murderous past behind him when his most formidable foe kidnaps the love of his life. Now he is forced to travel the globe to complete three impossible assassinations, and do what he does best, make them look like accidents.

5.7
2098

Movie Title	Mechanic: Resurrection
Duration	188 minute
Release	2016-08-25
Quality	M4V 1080p DVD
Categorie	Action, Crime, Thriller
speech	български език, English
castname	Poché U. Dafne, Fatima I. Anysia, Madeeha J. Berthe

[HD] [Watch] Mechanic: Resurrection Altadefinizione01 2016

Film kurz

Spent : $621,693,309

Revenue : $533,577,262

Categorie : Heuchelei - Demut , Grausamkeit - Kampfkunst , Cartoon - Idee, Liebe - Vertrauen

Production Country : Malta

Production : Eflatun Film

British badass Jason Statham is back and doing what he does best: kicking butt and taking targeted names in the process. The veteran action star is out for more blood in the labored sequel **Mechanic: Resurrection**. The trouble, however, is that fist-swinging wrecking ball Statham’s taste for boisterous blood in his latest toothless and meandering globe-trotting caper may be in desperate need of a transfusion. Woefully repetitive, aimless, strained and riddled with formulaic sharp-shooting shenanigans, **Mechanic: Resurrection** is yet another bombastic Bond knock-off that synthetically strut its stuff in stunt-driven oblivion. The majority of Statham fans may find this latest installment of **Mechanic** worth tinkering with due to its kinetic action-pack parts in motion with its stylish bald-headed anti-hero at the helm of voyeuristic mayhem. Still, for others the excitable human bullet factor routine that the aging Statham has perfected in his past furious film exploits (read: “The Transporter” film series in particular) is getting long in the tooth as **Mechanic: Resurrection** is yet another familiar and feisty vehicle that the punishing tough guy has predictably driven before.

**Resurrection** is the follow-up to the 2011 blueprint _The Mechanic_ where Statham portrayed a stone-faced iron man “gun-for-hire” whose mission is to travel the world while eradicating high-profiled baddies–a specialty that he mechanically and skillfully carries out with polished precision. Naturally Statham’s charged take as the combative assassin is based upon the 1972 flick _The Mechanic_ featuring the late great gravel-faced action icon Charles Bronson who was no stranger to vigilante-style cinema. Statham’s “take-no-prisoners” approach as the hardened terminator Arthur Bishop is definitely inspired when the English acrobatic avenger is summoned to brandish exotic weaponry, engage in calculating yet cockeyed ways to utilize boobytraps to exterminate his assigned targets and find time to occasionally court the hot chicks that dig his masculine, mischievous charm. No doubt that Statham’s blue-collar Bishop tries to echo the eye-popping sentiments of the aforementioned Bond’s debonair endeavors in intrigue, over-the-top villains, lavish locales and luscious ladies. As for watching the five decade-old adventurous James Bond it feels like an excitable surreal vacation laced with imaginative dare and danger. In witnessing Statham’s stiffened and procedural Arthur Bishop it seems somewhat like an assigned chore in chronicling the gadget-loving gumption of this action-oriented covert clone.

Sure, **Mechanic: Resurrection** derives its occasional chilly appeal from the scenic locations that allows the athletic Bishop to bounce around the globe on an elaborated whim. Plus, some may get an aesthetic rise out of the choreographed in-your-face confrontational fights and showy staged daredevil stunts that feature Bishop’s physical prowess. This is all well and good but the dubious dalliances and action-oriented swaggering that is demonstrated by Statham’s bone-crushing Bishop is rather uneventful and recycled. Unfortunately, **Resurrection** refuses to allow Statham any flexible growth or depth to differentiate his caustic characterization or the high-wire dilemmas beyond the previous antics regurgitated from his earlier copycat fare as _Crank_, _The Bank Job_ and yes…the obvious mention of _The Transporter_ series.

Hit man Arthur Bishop is basking in the scenic Rio de Janeiro surroundings in hopes of drowning out his deadly duties from yesteryear. Soon, Bishop’s wake-up call to resume his treacherous trade in taking out toxic targets is encouraged by his archenemy in warped businessman Riah Crain (Sam Hazeldine). Specifically, Crain wants Bishop to assassinate three persons of interest in particular that has him roaming three different continents. Bishop is not too receptive to getting back in “the grusome game” but of course the crooked Crain has a twisted way of convincing him otherwise. The critical key to changing a reluctant Bishop’s mind was to hit him where is heart hurts…that is, abduct his gorgeous girlfriend Gina (Jessica Alba from “Sin City”).

Holding Gina captive clearly gives Crain the upper hand to urge the beleaguered Bishop to return to the fatalistic fold of his poisonous profession–wiping out the assigned undesirables while making it look like accidental incidents. Thus, Bishop puts on his traveling shoes as he hunts down an imprisoned African warlord, an Australian human trafficker and finally a Bulgaria-based arms dealer Max Adams (Oscar winner Tommy Lee Jones). If and when Bishop delivers his three kills for the ruthless Crain then Gina’s release is assured. It is a no-brainer that Bishop wants to ensure the safety of the exotic beauty Gina.

Alba’s Gina is not the only lovely lady that is attached to Bishop’s hip affectionately. In Thailand, Bishop manages to catch up with another cute bombshell in buddy Mei (martial arts goddess Michelle Yeoh wasted in a transparent role), an innkeeper that worries about her friend’s worldly welfare. Curiously, German director Dennis Gansel’s decision not to give the desirable ageless Asian actress anything to do constructive in this by-the-numbers actioner besides providing sideline concern for Statham’s Bishop is inexcusable. Why not play to Yeoh’s cinematic strengths as a karate-kicking cutie pie with a deadly disposition…you know, what movie audiences have come to expect and cherish about the beautiful Malaysian performer’s film-related credibility? The 1997 Bond film _Tomorrow Never Dies_ effectively used the curvaceous Yeoh to compliment Pierce Brosnan’s Agent 007 so Gansel could not oblige her more on-screen activity with the robotic Statham?

Of course any Statham-oriented movie would not be complete without the arbitrary display of colorful explosions, glorified chases, exaggerated gunplay and a no-nonsense Bishop predictably flexing his acrobatic leaping, climbing, swimming and fighting muscles as if he was participating in his own self-indulgent Olympic games. There is no real rhyme or reason behind Mechanic: Resurrection other than to revisit the nostalgic relevance of Statham’s left-over box office heft from yesteryear. Perhaps the proven off-kilter spark that Statham generated in the Melissa McCarthy well-received espionage laugher _Spy_ could have been injected in this gimmicky and pointless pot-boiler that has all the succulent juices of a dried-up meatloaf. All the challenging stunt work and exquisite locations cannot excuse the lack of lubrication that Mechanic desires in its insipid, loud execution.

There is not much to chew on the bone concerning the so-called return of Statham’s harried hit man that constitutes round two of another dazzling but dense **Mechanic** offering. Alba’s distressed diva is nothing more than stand-by eye candy and the convenient motivating factor for Statham’s/Bishop’s worldwide witch-hunt. Hazeldine’s Crain barely passes muster as a second-rate Bond villain left on the cutting room floor. Jones, who has played wacky villains in the past, merely going through the tiresome motions as pseudo-flashy Max Adams with off-the-cuff irreverence.

Perhaps Arthur Bishop’s glossy gadgets could prevent an unwelcoming third edition of another **Mechanic** entry from blasting away in boorish fashion?

**Mechanic: Resurrection** (2016)

Summit Entertainment

1 hr. 50 mins.

Starring: Jason Statham, Jessica Alba, Tommy Lee Jones, Sam Hazeldine, Michelle Yeoh, Natalie Burn, Yayaying Rhatha Phongam

Directed by: Dennis Gansel

MPAA Rating: R

Genre: Action and Adventure/Suspense Thriller/International Crime Drama

Critic’s rating: * 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
**Falling in love is a trap, but some men risk everything for it.**

This is an unexpected sequel. Actually, I was looking for other sequels from Statham's filmography, particularly the third 'Crank'. I think the idea of going for it was good and the film was not that bad, if your purpose of a watch is time pass. The story was so bad, but the filmmaking was excellent. Because it was made by a renowned German director. Only if he had got a better script, the outcome would have been different. So it's the actors and the director makes it watchable. Other than that, this film falls into the average category.

The story follows after Arthur Bishop was found living in Brasil by some people who know him. Then he narrowly escapes from there and lands in Southeast Asia, where he meets Gina, a woman struggling from domestic violence. But he soon discovers that's a setup. After she was taken captive by an international criminal, now he has to follow his instruction to set her free. So the action begins where he takes a series of missions across the globe and how it all ends follows in the rest of the narration,

It's good to see Jason Statham back to his signature role. This is what he's good at. Even if the story is not good, that's okay, because Statham's presence is a very comfortable to watch without any trouble. Jessica Alba as well, I haven't seen her in any major hit film at the recent time. Even though the film was received below average, it kind of puts them both back on the track.

Definitely they both needed this breakthrough. There's a third film is coming, it's not official yet, but the conclusion was a hint where Tommy Lee Jones can be seen in an important role in the next part. You won't like this film, but surely enjoy it if you are a Statham's fan, that's the only reason to go for it.

_6/10_
A sequel that no one asked for, the first one was alright but didn't even stand out by Statham standards. The sequel isn't quite as 'alright', a bit sloppily put together and not very well thought of but if you liked the original and Statham in general it's still watchable.

5.5/10